la Guadalupana

An allegorical painting of the apparition(s) of the Blessed Virgin Mary to Juan Diego in December 1531 and the subsequent miracle of her image being impressed upon his tilma (a rough cloak woven from vegetable fibers). Hand made expressly for the Mary Altar in the chapel at Our Lady of Guadalupe Seminary designed by Thomas Gorgon Smith Architects.

Commissioned by Father Josef Bisig of the Priestly Fraternity of Saint Peter, Denton Nebraska,

Oil on Belgian linen canvas 16’x9’ (192”x108”, 5.3mx3m).

Allegorical painting of la Guadalupana appearing to Juan Diego. Designed for the Mary Altar in the chapel at Our Lady of Guadalupe Seminary in Denton, Nebraska USA. Commissioned by Father Josef Bisig of the Priestly Fraternity of Saint Peter, Oil on Belgian linen canvas 16’x9’ (192”x108”, 5.3mx3m). © James Langley / artist

Allegorical painting: La Guadalupana

An Altarpiece for Our Lady of Guadalupe Seminary Chapel designed by Thomas Gorgon Smith Architects.

Oil on Belgian linen with Lapis Lazuli and 22 karat gold leaf 16’x9’ (192”x108”, 5.3mx3m).

© James Langley / artist www.jameslangley.com / email: james@jameslangley.com

Juan Diego at lower left in enraptured by the appearance of the lady while an angel overhead carries a model of the temple she has asked to be erected in this place. On the distant hill is the seminary designed by Thomas Gordon Smith, where the painting now hangs.

Signum Magnum: allegory of la Guadalupana, in oil on Belgian Linen with Lapis Lazuli and 22 karat gold leaf, 16'x9' by painter James Langley for the Priestly Fraternity of Saint Peter.

The angel above the miraculous roses holds the Introit for the Feast of the Assumption (August 15) reading: Signum Magnum Apparvit in Caelo: A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet, and on her head a crown of twelve stars. Apocalipsis 12:1